Sand, Jeremiah - Lift it Down (Ltd Dlx Ed/Purple vinyl)
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Sand, Jeremiah - Lift it Down (Ltd Dlx Ed/Purple vinyl) Sand, Jeremiah - Lift it Down (Ltd Dlx Ed/Purple vinyl)

Label: Not specified

843563123560
Condition            Brand New

Out of stock

Vinyl

$26.59

Purple vinyl edition, limited to 1500 copies. In 1974, Jeremiah Sand and his nascent cult The Children Of The New Dawn decamp LA for the Shasta Mountain region and Redding, CA. They set up shop, begin printing leaflets, hold gatherings and start growing their ranks through recruitment. Jeremiah and the Children are not necessarily an odd addition to Redding in 1974. A few years prior to assembling his flock, Sand had self produced and released an album of psych-folk that was unremarkable in almost every way, save for the unrelenting vanity and egoism on display in the lyrics. This early album is one of the only existing documents of Sand. By mid 1974, the Children have grown in rank and Jeremiah becomes obsessed with recording "his masterpiece". Recorded under truly bizarre circumstances, here is this lost artifact of the transitional period between the late 60s and late 70s. A flawed and malignant sounding unfinished thing, clearly the product of a psychotically inflated ego and hubris. The album is by turns: amateurish, haunting, deranged, ridiculous and (for those attuned to these things) filled with crackling negative psychic energies.

Purple vinyl edition, limited to 1500 copies. In 1974, Jeremiah Sand and his nascent cult The Children Of The New Dawn decamp LA for the Shasta Mountain region and Redding, CA. They set up shop, begin printing leaflets, hold gatherings and start growing their ranks through recruitment. Jeremiah and the Children are not necessarily an odd addition to Redding in 1974. A few years prior to assembling his flock, Sand had self produced and released an album of psych-folk that was unremarkable in almost every way, save for the unrelenting vanity and egoism on display in the lyrics. This early album is one of the only existing documents of Sand. By mid 1974, the Children have grown in rank and Jeremiah becomes obsessed with recording "his masterpiece". Recorded under truly bizarre circumstances, here is this lost artifact of the transitional period between the late 60s and late 70s. A flawed and malignant sounding unfinished thing, clearly the product of a psychotically inflated ego and hubris. The album is by turns: amateurish, haunting, deranged, ridiculous and (for those attuned to these things) filled with crackling negative psychic energies.

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